雅思图表写作真题04:动态图·柱状图【考研可看!】

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雅思图表写作真题04 9分范文

【考研英语一/二、大英赛、BEC，皆可参考学习！】

04 2013-2015年英国音乐产业三个部门的收入与就业人数变化

IELTS A Task1〔动态图· 柱状图〕

The graphs below give information about the UK music industry by sector, in three years 2013, 2014 and 2015.

Summarize the information by selecting and reporting the main features and make comparisons where relevant.

【后文精美高清图片呈现范文，可直接下载】

Para.1

The two bar charts present a comparative analysis of the revenue streams of three UK music sectors alongside their respective workforce sizesover a three-year span from 2013 to 2015.

这两幅柱状图对比分析了2013年至2015年这三年间英国音乐产业三个部门的收入流及其各自的劳动力规模。

Para.2

Overall, it is universally evident that live music remained the undisputed frontrunnerin both financial returns and staff numbers, culminating in a spectacular surge in employment by the final year. Conversely, the recorded music sector suffered a comprehensive downturn in both metrics. Music publishing, meanwhile, exhibited volatile earnings but a virtually static labor force.

总体而言，普遍明显的是，现场音乐在财务回报和员工数量上保持了无可争议的领跑者地位，最终在最后一年迎来了就业人数的惊人激增。相反，录音音乐部门在这两项指标上都遭遇了全面衰退。与此同时，音乐出版业表现出波动的收益，但劳动力几乎停滞。

Para.3

Focusing initially on the financial data, live music proved highly lucrative, enjoying a continuous expansion from roughly £240 million in 2013 to peak at £280 million in 2015. Such upward momentum contrasted sharply with the trajectory of recorded music, which underwent a relentless contraction, plunging from £170 million to £140 million and ending up generating barely half the revenue of its leading counterpart. The income from music publishing fluctuated, initially dipping from £180 million to £160 million before recovering to £185 million.

首先聚焦财务数据，现场音乐被证明利润丰厚，从2013年的约2.4亿英镑持续扩张，至2015年达到2.8亿英镑的顶峰。这种上行势头与录音音乐的发展轨迹形成了鲜明对比，后者经历了无情的收缩，从1.7亿英镑暴跌至1.4亿英镑，最终产生的收益仅为其领先同行的一半。音乐出版业的收入出现波动，最初从1.8亿英镑降至1.6亿英镑，随后回升至1.85亿英镑。

Para.4

A comparable disparity emerges in terms of employment. The workforce for live music experienced an initial marginal dip to 3,500 before skyrocketing to nearly 9,000 by 2015, meaning its staff size more than doubled. In stark contrast to this boom, recorded music suffered a continuous loss of personnel, shrinking from 3,500 to just 2,000 employees. The most striking feature regarding music publishing is its employment stability, as it consistently maintained a workforce of approximately 2,200 individuals across all three years, showing no discernible fluctuation.

在就业方面也出现了类似的差距。现场音乐的劳动力最初小幅下降至3,500人，随后在2015年前飙升至近9,000人，这意味着其员工规模翻了一倍多。与这种繁荣形成鲜明对比的是，录音音乐遭受了持续的人员流失，从3,500人缩减至仅2,000名员工。关于音乐出版业最引人注目的特点是其就业稳定性，因为它在这三年中始终维持着约2,200人的劳动力，显示出没有明显的波动。